Holiday musical canons aren’t just accidents of taste; they are produced and frozen by economic incentives (royalties, media eras) and distribution regimes that reward a few perennial standards. That lock‑in makes it harder for other holidays to develop comparable repertoires unless new institutional or platform conditions create repeat annual exposure and payday for creators.
— If true, this reframes debates about cultural change and 'tradition' as questions about copyright, media gatekeeping, and platform incentives — areas that are already policy‑relevant.
Steve Sailer
2026.09.26
100% relevant
Steve Sailer cites Irving Berlin’s 'White Christmas' royalties, changing copyright terms, the 1964 Beatles inflection, and Mariah Carey’s 1994 revival as concrete evidence that industry timing and law shape which songs become annual traditions.
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