Performing endangered traditional instruments functions as an active method of cultural preservation: each performance transmits repertoire, technique and contextual memory that can substitute for, and prompt recovery of, lost documentary archives.
— This reframes cultural policy to treat living practitioners and museum commissions as frontline heritage infrastructure deserving of funding, legal protection, and digitization support.
Aeon Video
2026.01.07
100% relevant
Hamed Sadeghi’s tar performance and his explicit framing of playing as ‘reclaiming’ lost Iranian radio archives after 1979.
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