Jessica Riskin’s account argues that Lamarck’s central claim — that living organisms actively shape their own evolution and even the physical world around them — is not merely a historical curiosity but maps onto modern ideas (niche construction, organism–environment feedback). The book shows how the Jardin des plantes’ mix of art, music, literature and experiments seeded a conception of biology as an active, world-making force.
— Reframing Lamarck as a prescient thinker shifts public and educational narratives about evolution, agency in nature, and the institutional origins of biology.
Jessica G. Riskin
2026.05.14
100% relevant
The article’s headline claim ‘The World Is Made by Living Things’ and descriptions of Jardin des plantes experiments (elephant music experiments, writers proposing interspecies love producing new species) are direct evidence Riskin uses to back the claim.
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