When a single cultural institution eliminates rivals, it often stops investing in the risky work of creating new public myths, producing nostalgia and a symbolic void. That vacuum gets filled by reactive or performative narratives (guilt, purity, technocratic rituals) that reshape civic legitimacy.
— Concentration in media and cultural institutions therefore has downstream political effects: it changes what stories are available to bind publics, making societies more susceptible to symbolic instability and populist reweaving.
Aporia
2026.10.17
100% relevant
The article’s concrete example: WWE’s absorption of WCW in the 1990s, after which creative momentum stalled and nostalgia rose — the author parallels this with Western political elites’ turn to guilt/ritual.
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