Opera doesn’t only mirror politics; its musical structures and choral forms actively cultivate the shared emotions—love, compassion, fear—that undergird political communities. Reading music (rather than textual libretto alone) reveals how artistic institutions shape civic dispositions over generations.
— If true, classical performance and arts programming become part of political infrastructure and cultural policy, not just entertainment, with implications for funding, civic education, and how elites use culture to shape public feeling.
Alberto Mingardi
2026.10.02
100% relevant
Martha Nussbaum’s book The Republic of Love, gathered from her opera program essays, and her readings of Le nozze di Figaro and Die Zauberflöte as articulating a Mozartian 'public love' exemplify this idea.
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