American religious practice often operates less as private conscience than as staged performance: leaders and congregations use ritual language and moral drama to signal partisan identity and mobilize audiences, even when private behavior contradicts public claims. That performative quality makes faith a form of cultural theater that feeds and is fed by media and political conflict.
— If religion is increasingly spectacle, it changes how voters, media, and institutions interpret religious claims and what counts as moral authority in politics.
Stephen G. Adubato
2026.04.28
100% relevant
Ross Barkan’s Colossus centers on 'Pastor Teddy Starr,' an evangelical leader who publicly rails against cultural enemies while hiding adultery—an example the article uses alongside a Žižek quote about American 'dematerialization' to illustrate religion-as-spectacle.
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